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  Frequently Asked Questions about Cables
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Physical Characteristics of Loudspeaker Cables.

Today, based on two decades of research and comparative listening, audio engineers agree that the most natural sound is achieved by a combination of low series inductance L and a low loop resistance R. A low L is instrumental in minimizing high end roll off and frequency dependent phase shift, and a low R is important for a true and powerful bass and low mid-range.

A low series inductance L is achieved by placing the two conductors in the cable as close together as physically possible, and in the patented GOERTZ design they are wide bands of solid copper or silver which are sandwiched together, only separated by a micro thin film of a high grade dielectric. This geometry will result in a an extremely low L, and a capacitance C much higher than that of conventional cables. The combined effect is to reduce the characteristic impedance of the cables all the way down into the single digits to almost match the nominal impedance of a typical speaker load. The impedance match minimizes distortion caused by ringing and signal reflections and would not be possible without the high relative capacitance. This combination of a low L and R, and a high C value is the secret behind the exceptional performance of GOERTZ loudspeaker cables.

For purpose of comparison R must be measured as loop resistance or the sum of the resistance in both conductors. Some manufacturers incorrectly state the resistance in just one conductor, thus arriving at a figure which is only 50% of the true R.

SPEAKER CABLES IN THE ORDER OF DESCENDING L

  R Loop
resistance
mohms/ft
AWG Wire Gauge, app. L Series inductance microH/ft C
Capacitance picoF/ft
Characteristic impedance
ohms
van den Hul "Hybrid" 2.1 10 0.28 5.8 220
Cardas Quadlink 5C 4.0 13 0.18 23 89
Lamp Cord 12.8 16 0.16 16 100
Nordost Solar Wind 6.0 14 0.10 7.5 129
Kimber 4 TC 4.3 13 0.07 44 40
Kimber 8 TC 2.1 10 0.03 100 17
Alpha-Core, GOERTZ MI 1 4.3 13 0.01 500 4.5
Alpha-Core, GOERTZ MI 2 2.1 10 0.006 945 2.5
Alpha-Core GOERTZ MI 3 1.1 7 0.004 1350 1.8
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Which one?

The main parameter setting the SERPENTS/GOERTZ series apart is their DC resistance, also expressed as equivalent AWG or gauge. The gauge you should select is a function of the output power of your system and the length of the run. A wider and heavier cable with a low AWG will serve a more powerful system and longer runs than a lighter cable.

Goertz MI 1 cable equals 13 AWG, Goertz MI 2 10 AWG and MI3  7AWG. The difference of 3 between the gauges indicates that the DC resistance of MI 2 is only half that of MI 1 and that the DC resistance of MI3 is half again of that of MI2. Each step thus means cutting the loss of signal strength in half, but another more important effect is the improved speaker diaphragm damping which translates into a largely undistorted, truly powerful mid-range and bass, even at high power levels and over long runs.

 The following table may provide a rough basis for selection in single wire configuration:

Amplifier Watts/Channel: 25 Watts 50 Watts 100 Watts 200 Watts 250+ Watts  
Conductor Length: 2 ft MI 1/AG1 MI 1/AG1 MI 1/AG1 MI 1/AG1 MI 2/AG2 PYTHON  
4 ft MI 1/AG1 MI 1/AG1 MI 1/AG1 MI 1/AG1 MI 2/AG2 PYTHON  
8 ft MI 1/AG1 MI 1/AG1 MI 2/AG2   PYTHON MI 2/AG2  PYTHON MI 3/AG3      BOA  
15 ft MI 1/AG1 MI 2/AG2    PYTHON MI 2/AG2   PYTHON MI 2/AG2  PYTHON MI 3/AG3      BOA  
25 ft MI 2/AG2 PYTHON MI 2/AG2    PYTHON MI 2/AG2   PYTHON MI 3/AG3        BOA MI 3/AG3      BOA  
The following table may provide a rough basis for selection in Bi-wire configuration:
Amplifier Watts/Channel: 25 Watts 50 Watts 100 Watts 200 Watts 250+ Watts  
Conductor Length: 2 ft MI 1/AG1 MI 1/AG1 MI 1/AG1 MI 1/AG1 MI1 Bi-wire          Ag1 Bi-wire     Python Bi-wire    (CU/AG/Hybrid)  
4 ft MI 1/AG1 MI 1/AG1 MI 1/AG1 MI 1/AG1 MI1 Bi-wire          Ag1 Bi-wire     Python Bi-wire    (CU/AG/Hybrid)  
8 ft MI 1/AG1 MI 1/AG1 MI1 Bi-wire            Ag1 Bi-wire       Python Bi-wire    (CU/AG/Hybrid) MI1 Bi-wire           Ag1 Bi-wire      Python Bi-wire    (CU/AG/Hybrid MI2 Bi-wire          Ag2 Bi-wire         Boa Bi-wire    (CU/AG/Hybrid)  
15 ft MI 1/AG1 MI1 Bi-wire             Ag1 Bi-wire       Python  Bi-wire    (CU/AG/Hybrid) MI1 Bi-wire            Ag1 Bi-wire       Python Bi-wire    (CU/AG/Hybrid) MI1 Bi-wire           Ag1 Bi-wire      Python Bi-wire    (CU/AG/Hybrid) MI2 Bi-wire          Ag2 Bi-wire         Boa Bi-wire    (CU/AG/Hybrid)  
25 ft MI1 Bi-wire       Ag1 Bi-wire Python Bi-wire    (CU/AG/Hybrid) MI1 Bi-wire             Ag1 Bi-wire       Python  Bi-wire    (CU/AG/Hybrid) MI1 Bi-wire            Ag1 Bi-wire       Python Bi-wire    (CU/AG/Hybrid MI2 Bi-wire           Ag2 Bi-wire           Boa Bi-wire    (CU/AG/Hybrid) MI2 Bi-wire          Ag2 Bi-wire         Boa Bi-wire    (CU/AG/Hybrid)  
             
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Goertz MI cables have a characteristic impedance of 2 to 4 ohms, but the rated impedance of my speakers is 8 ohms. Don't I need speaker cables with a characteristic impedance of 8 ohms?

Most other speaker cables, even sophisticated high-end cables, have a characteristic impedance between 50 and 200 ohms and a correspondingly high inductance resulting in a loss of fidelity due to high frequency roll-off. Besides, the impedance of most speakers is not a fixed parameter but varies according to the signal frequency. A loudspeaker rated at 4 ohms may well have a considerably lower impedances at low frequencies and maybe an impedances of 8 ohms or higher at the high end of the audible range. Experience indicates that a perfect match is neither feasible nor required, and all Goertz MI cables will work well with speakers rated at 2 ohms up through 8 ohms.

How do I select the right interconnect cables for my system ?

Even more than with speaker cables this is a question of taste. In general the heavier Sapphire or Tourmaline are often selected over TQ2 for the sometimes longer runs between a pre-amp and power amps placed near the speakers. We have seen many cases, however, when TQ2 has served very well in this type application. TQ1 (the earlier version of TQ2) was developed, initially, for tube lovers but has become immensely popular also for solid state gear. When asked we usually start by recommending TQ2 over the heavier Tourmaline or more expensive Sapphire for the short runs between source components and pre-amp. We recently introduced the even lighter gauge "Micro Purl" which seems to have an even greater potential as an all round interconnect cable, analog and digital.  In addition the Micro Purl seems to be carving its own niche as a microphone cable in professional recording studios, greatly outperforming traditional, even much higher priced coax designs.

Are GOERTZ cables EMI/RF shielded ?

No, they do not incorporate a shield like e.g. the braided wire hose which is often seen surrounding conventionally designed interconnect cables. In general, due to the much stronger signals involved, shielding is not required in speaker cables, but rejection of cross talk and RF interference is a must in an interconnect cable. An open geometry ribbon cable used as an interconnect will function as a loop antenna literally inviting RF interference, whereas the closed GOERTZ geometry exhibits excellent noise rejection in itself. The insensitivity to noise is even further enhanced in the Micro Purl series, where the close sandwich of extremely thin, relatively wide conductors is twisted or "purled" in the manner of twisted pairs used so widely in telecommunication.

Top to Bottom:
MI 2 with Bananas
MI 2 with Hybrid Termination
MI AG 1 with Silver Spades
MI 1 with T
(Auto-style) Termination

Obviously, termination of Goertz cables is different from most other loudspeaker cables. Will this cause difficulties for me?

Goertz speaker cables are available pre-terminated in standard lengths from 4 to 20 feet long in 1 foot increments; and in 25, 75 or 150 foot bulk packages which come with directions for termination and installation. They may be terminated by means of the special slotted Goertz terminals which are fitted onto the flat conductors by means of large diameter set screws. Another method which is becoming popular with bi- or tri-wiring is hybrid termination by attaching a short length of conventional stranded wire to each conductor inside an insulating plastic boot. Hybrid terminated cables are mounted just like any other wire directly into the binding posts or with any type of crimp lug. A third choice, often used in automotive systems involves punching a hole in the flat conductors, which are then hooked up to the terminal bars by means of screws and washers. This method is also used by component manufacturers for connections inside speakers and other equipment.

The slotted, Rhodium plated GOERTZ terminals are available in three styles: Spade lugs, Banana Plugs and Pin connectors. They come in boxes of four. Two boxes are required for a pair of speaker cables.

In addition to the slotted connectors we offer a heavy, spade connector made of solid, high purity silver. The silver spades are attached to the conductors using silver solder and insulated by means of high quality shrink tubing. 

 

Before termination cables are cut to length, the outer polymer jacket is removed, and the conductors stripped of their insulation by sanding or a sharp instrument. This task is not difficult but can be avoided entirely if cables are ordered already cut-to-length, stripped and termination ready.

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I'm not an electrical engineer,
what do these terms really mean?

Basic stuff: Even though they are marked with +/-, like a direct current (DC) circuit, speaker cables carry a complex alternating current (AC) signal, which varies in frequency (expressed as Hz, or cycles/second) and amplitude. The perfect speaker cable would have no losses, just like soldering your amp outputs to the back of the speaker drivers. But, in practice, cable has a much more complicated effect on the signal; where interactions between amplifier impedance and power, connector efficiency, conductor efficiency, insulating materials, spacing, speaker impedance and radio interference, can affect the music you hear. The results can be subtle or quite drastic but are usually most similar to filtering and/or delaying certain frequencies . Since an audio signal is composed of hundreds of harmonic frequencies, delaying or filtering some frequencies makes the sound muddy and destroys subtle rhythmic timing information.

The signal problems for interconnect cables are very similar to speaker cables. Interconnects have shorter runs and carry lower power, but the timing and filtering effects are still present, and since the signal may pass through several runs of cable (CD player to pre-amp, pre-amp to power amp, etc.) there may be cumulative losses. Another issue is raised for interconnects, that of electromagnetic interference (EMI/RFI) from the audio components themselves and from other cabling. Since power decreases rapidly with distance from the source, speaker cables may be largely excepted from this problem, but most systems have a number of interconnects running very close together.

Capacitance
1. The ratio of charge to potential on an electrically charged, isolated conductor. 2. The ratio of the electric charge transferred from one to the other of a pair of conductors to the resulting potential difference between them.

Capacitance is usually thought of as storage of electricity, or potential. If you store up a lot of electricity you can do a lot of work with it if it's accessible, as with the power supply capacitors in your amplifier. To use a water analogy, a ripple on a lake is still a ripple on a lake, regardless of the depth of the water.

Characteristic Impedance
The degree of distortion along a loudspeaker cable depends on its resistance ( R ), inductance ( L ) and capacitance ( C ). The square root of the ratio L/C is termed Characteristic Impedance, and is a quality inherent in a cable, dependent on its geometry and materials, but not dependent on its length.

The characteristic impedance of the Goertz MI cables in the order of 2 to 4 ohms closely matches the impedance of loudspeakers. Almost all other speaker cables have characteristic impedance ranging from 50 to 200 ohms, a mismatch which causes distortion due to signal reflections. Impedance matching primarily improves the clarity of the highs and upper mid-range, but many users have also experienced improvements in the lower mid-range. The cause seems to be that signal reflections caused by impedance mismatch enter the feedback loop of many amplifiers and disturb their ability to reproduce faithfully even lower frequency signals.

Damping
The ability to precisely control the overshooting momentum of a speaker diaphragm, to force the diaphragm to move accurately is called damping, and is rated as amplifier 'Damping Factor'.

Speaker cones are subject to the laws of physics, and especially momentum. The mass of the speaker diaphragms must be continually accelerated to new velocities to match the waveform being presented. As mass increases (as in woofers) the power needs increase, but another effect comes into play as well: the driver often overshoots and the driver coil actually generates an opposing signal (like all electromotive devices) as the amplifier attempts to control the movement. This new signal coming from the speaker coil must be cancelled, or damped, by the amplifier. Better coupling between the amp and speaker via heavier cabling allows the amplifier circuitry to perform damping up to design capacity and make cleaner sound.

Dielectric
A non-conductor of electricity, especially a substance with electrical conductivity less than a millionth (10-6) of an ohm.

It's the insulation on the wire. Oddly, the insulation has an effect on the fields traveling along the conductor despite the fact that it carries no current. This interference with the current is called Dielectric Involvement, and it varies with the material (PVC, Polycarbonate, Polyurethane, Teflon, etc.), the thickness, the length of the cable run, and the proximity to other conductors. In fact, the molecules of the polymers move slightly in reaction to the electromagnetic fields of the conductors (high power fields are even used to heat these materials for some industrial applications). This steals energy from the signal. Over time, the polymer molecules will tend to align in a 'least force' configuration, this accounts for the 'break-in' interval which is widely discussed for cables and audio components.

Impedance
A measure of the total opposition to current flow in an alternating current (AC) circuit, equal to the ratio of the arms of the electromotive force in the circuit to the rms current produced by it, and usually represented in complex notation as Z = R + iX, where R is the ohmic force and X is the Reactance.

Impedance Matching
The use of electric circuits, transmission lines, and other devices to make the impedance of a load equal to the internal impedance of the source of power, thereby making possible the most efficient transfer of power.

This is the goal of Goertz MI (matched impedance) cable.

Inductance
The generation of electromotive force in a closed circuit by a varying magnetic flux through the circuit. Also called 'electromagnetic induction'.

Usually, this terms is used loosely as an alternative to Impedance, which is the opposition to AC current presented by a circuit. This is actually the force that moves your speaker cones; it also causes cable losses when electromagnetic energy moves conductors around microscopically.

We've all played with magnets, and felt the attracting and repelling forces created. Running an electric current through a wire produces a magnetic field around that wire. As the magnetic field expands and contracts with the amplifier's signal, it will induce a current in any other conductor within its field. If a nearby wire is carrying its own signal, the magnetic fields around the two will cause them to attract or repel. This increases skin effect distortion for multiple strand cables; by alternately pushing or pulling adjacent wires apart and further increasing the contact resistance.

A high cable inductance causes loss of signal strength towards the high end of the audible range (also known as roll-off). It also causes frequency dependent phase-shifting which disturbs true stereo imaging.

Microphony
Noise caused by galvanic interaction between the individual strands in a cable.  This type of noise may be eliminated by replacing the stranded conductors with solid bands of metal.

Oxygen Free Copper (OFC)
No metal is absolutely pure, and contamination, as well as the crystalline structure of copper, can have a dramatic effect on signal quality. Impurities within the copper, including oxygen, silver, iron, sulfur, antimony, aluminum and arsenic, coalesce at the grain surface, or boundary. This creates a much higher impedance to the electron flow by essentially forcing the electrons to have to 'jump' those poorly conducting boundaries where grains touch. Reducing the impurity content and the number of grains per foot can make a wire a much more efficient conductor.

Normal high purity (commercially called 'tough pitch') copper has about 1500 crystals or grains in each foot. Current must cross these grain boundaries 1500 times in each foot of cable. These grain boundaries cause the same type of irritating distortion as current crossing from strand to strand from the skin effect.

OFC copper, which is 99.999% pure is still not perfect, but the higher purity reduces the number of  grains per foot, and makes the sound audibly smoother.

Reactance
Opposition to the flow of alternating current (AC) caused by inductance and capacitance in the circuit.

Hmmm, kind of like impedance? It's  one component of it.

Resistance
Opposition to direct current (DC) presented by a circuit.

This is determined by the conductor length, the total cross-sectional area, and the conductivity of the cable's metal core. A low resistance provides superior damping factor between the amplifier and the speaker diaphragm, governing its ability to convey a true powerful bass and lower mid-range. Resistance causes equal losses at all frequencies while inductance causes varying degrees of loss in proportion to frequency.

Ringing
The buildup of vibration due to energy storage and the continued vibration from release of the energy stored in a circuit after the applied energy is removed.

Also called Resonance. In effect, the signal echoes back and forth down the length of the cable, and creates disturbances in the signal waves, like ripples in a pond interfering with each other.

Skin Effect
Tiny circulating 'eddy' currents in large AWG individual conductors make the apparent inner core resistance increase with frequency so that the 'skin' of the conductor has the least resistance to current flow. Higher frequency signal electrons flowing through the conductor move to the outer surface of that conductor. The higher the frequency, the more pronounced the skin effect becomes.

In a multi-strand wire things get worse, as the skin effect still applies to the geometry of the entire bundle of conductors. Any strand can be found at a different location or depth in relation to the cross-section of the strand bundle as you move along it's length. At higher frequencies, the signal is jumping from strand to strand to stay on the outside of the bundle. Unfortunately, the point of contact between strands is actually a simple circuit exhibiting its own capacitance, inductance and diode rectification, presenting a whole host of problems. 

EMI/RFI
Electro-Magnetic Interfer
ence / Radio Frequency Interference

We live in an invisible sea of electromagnetic energy, caused by the electronics we own, the radio stations which operate, the earth's movement through space, even the sun's radiations. All these signals, when summed together in your living room, are called EMI/RFI. EMI interference is conducted from other audio components or appliances in your home (a humming refrigerator makes a lot of hash on you AC power lines, too). RFI is radiated by the components and cables themselves, and received from radio signals/noise in the environment (which is much worse in urban areas; all those cell phones, etc.).

It's all noise and has varying affect on audio signals which cannot improve them. Components and cables can be designed to reject RFI noise, and proper filtering of wall current and signal cables can reduce EMI conducted noise, and the results can be heard if you have quality equipment.

Want to read more?
The Audio Glossary

I hear that GOERTZ speaker cables have a high capacitance. How will this affect my system ?

Low impedance, matched speaker cables represent the ideal path from the amplifier to a loudspeaker but in rare cases may cause  small percentage of solid state amplifiers to become unstable when combined with certain speakers. The symptom is audible oscillation or overload shutdown. Fortunately the problem is easily solved, by installing an Alpha-Core RC link across the terminals of each speaker. A pair of RC links is provided free of charge with our ultra low impedance GOERTZ and Serpent series cables.

  The advantage of the low impedance, matched path is that the amplifier is rendered able to exert control and damping of voice coil resonance, and all frequency bands are transferred with the same interrelated magnitude irrespective of cable length. This also means that the cables to the left and right channels of a stereo system can be of unequal length if desired, largely without ill effects.  

Read on for full technical explanation:

  The impedance of voice coils in dynamic loudspeakers and their crossover networks rises with frequency, causing a corresponding decrease in audio output at high frequencies.

  At low audio frequencies a voice coil behaves almost like a purely resistive load but at for example 20 kHz its impedance may rise to more than 10 times the DC resistance. This is mainly due to self-inductance, which causes the almost purely inductive impedance to rise even further above 20 kHz.

  Unfortunately the feedback loop in certain solid state amplifiers does not satisfy the Nyquist or Bode criterion for stability. The amplifier may at times exhibit gain band widths in the internal feedback loop in the megaHertz order, meaning that things may start happening above the audible range. The problem arises when this type of amplifier is connected with loudspeakers that exhibit high impedance at high frequencies, via an otherwise ideal low impedance matched cable. Under certain circumstances, instead of stabilizing the gain via the internal feedback loop as intended for a low impedance output, the amplifier is turned into a HF power oscillator operating at a frequency well above the audible range. This may load the amplifier excessively, resulting in higher than normal operating temperature or overload shutdown.

  Our remedy is to place a resistive load across the speaker terminals, which becomes effective at frequencies well above the audible range. Tests have shown that a 0.1 microfarad capacitor in series with a 10 ohm resistor will do the trick if applied across the speaker terminals. The combination “RC Link” also called a Zobel network, is supplied free of charge by Alpha-Core to be applied when needed.

  A simple calculation shows the impedance of the RC link to be 14 ohms at 159kHz, amply illustrating that they in no way affect performance at audio frequencies.

  Incidentally, the situation described in the above does not occur with electrostatic speakers or with tube amplifiers containing output transformers.

R/C match links are available through Alpha-Core.

What is the difference between Nordost Flatline and GOERTZ ?

They are both flat cables, but the resemblance really stops there. The Nordost geometry with its two groups of conductors arranged side by side in an open pattern will exhibit a medium to high series inductance, and due to the skinnier conductors, also the loop resistance is much higher than that of equally priced GOERTZ cables. It is worth noting that the premium series of Nordost cables utilize silver plated copper conductors whereas GOERTZ's AG series all have solid, high purity silver conductors.

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Are there any tricks to this site?
Is there a better way to print these pages?

We have tried to put useful (and related) information together on fewer pages to make printing the site easier. This 'fewer, longer' philosophy also makes it easier on users with slower modems; you'll wait a little longer to get the page, but you won't have to go to a lot of other pages once it's there. Links to all the pages are repeated in each footer and contextual links are at or near the top of each page.

Your printed pages will be easier to read if you go to File Menu, select Page Setup and check the 'Black Text' option.

The Alpha-Core web site was originally designed and built by Triad Communications in Connecticut and launched in 1996. It was redesigned in Fall 1997 by pRCarter in exchange for Goertz cables for his home theater system. The goals for the upgrade were to dramatically improve the quantity and flow of information and to make the site design distinctive without resorting to klunky browser tricks or huge graphics (not that there's anything wrong with that!). Updated information (including new retail price lists, dealer lists, and this new FAQ) was organized into a few medium-sized pages with nested tables and minimal graphics. New hyperlinks between pages were carefully added to couple useful references. HTML was extensively upgraded to make the site as widely browser-compatible as possible, and a variety of Metatags were added to aid web crawlers categorizing Alpha-Core for searches. Existing page names were retained to service old user's bookmarks.